Molly Ringwald News

Ahoy, squirts! Quint here. Growing up a movie geek I always read the reviews in the local newspaper and would always feel a little frustrated when the reviewer obviously didna t like the type of film theya re reviewing, specifically genre titles, yet they review it anyway without admitting any bias.

The Eastman House this month celebrates the late filmmaker John Hughes, the cinematic pied piper of adolescent America in the late '80s. Hughes virtually invented the teen film of the modern era, creating a formula of clever, cynical teens who overcame angst-ridden lives by being wittier and way ahead of their parents, teachers and other adults.

It's a shame John Hughes didn't live to hear the New Moon soundtrack - it's a Pretty in Pink for our vampire-crazed times.

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The September Issue Style & Substance: The fashion world provides an art-vs.-commerce battleground in The September Issue.

Vancouver-based rockers You Say Party! We Say Die! are letting it all out on their latest effort, XXXX , the follow-up to 2007 spectacular Lose All The Time .

Some Like It Hot was nominated for six Academy Awards in 1959 but won just one gold statue -- for costume design.

Datarock With Mad Rad, Esser, and KAV. Nectar, 412 N. 36th St., 632-2020, nectarlounge.com . $10. 9 p.m. Sat., Oct.

Attempting to dismantle teenage social politics, John Hughes also oversimplified them.

It's time to put aside John Hughes' popular teen flicks like "The Breakfast Club." What does it mean to go back to high school without John Hughes? To begin an academic year without the bard of high school around? Is it a bit like Mickey Mouse without Walt Disney, the muse no longer tethered to its artist? Like the western without John Ford, free ...

We're walking down Freeman Alley, and we saw this, like, way radical courtyard with flamingo topiaries and a basement-level boutique with pink neon windows.

When I heard director John Hughes had died last week, I found myself feeling preemptively protective of his legacy.

C. Robert Cargill , Aug 12, 2009 John Hughes was an incredible talent who left behind a vast and varied body of work riddled with absolute classics that redefined how films were made.

A husband forgetting your birthday is one thing; realizing that your parents and entire family dropped you off their radar is another.

If you grew up in the '80s, he was the sniveler. He was the ultimate preppy who had this way of curling his upper lip and making it known that he was just so damn superior.

Don't you forget about John Hughes. Harkins Theatres celebrates the career of the groundbreaking movie director, who died of a heart attack last week at age 59, with a weeklong film festival at the Valley Art.

Generally, I don't like to watch movies twice. Once I've seen it, I've seen it. But for John Hughes films, I've always made exceptions.

As new wave music played in the background, girls wearing side ponytails and neon, ruffled prom dresses walked into the parking lot of an old Circuit City on Sunset Boulevard on Saturday night, anticipating what would be a flashback to the '80s. The parking lot had transformed into a "Pretty in Pink" prom-themed movie event and an impromptu homage ...

I've reached the age when my children sometimes ask, "Dad, what were things like in the olden days, when you were a teenager?" They mean the 1980s, and it's not so easy to explain.

Over the twenty-five year career of writer, director, and producer John Hughes , he made quite an impression on everyone he worked with.