Michel Piccoli News

Michel Piccoli plays a noted Parisian musicologist obsessed with finding a mysterious woman he only saw once.

La faute ? Fidel, I Know Who Killed Me, T4xi. still in town Belle Toujours Rating 2 1/2 Portuguese master Manoel de Oliveira pays homage to the Luis Bu?uel classic Belle de jour with this thoughtful meditation on sex, fidelity and faith, with a little help from strong performances by Michel Piccoli and Bulle Ogier.

Michel Piccoli gives a beautifully understated performance as an average dude, torn between his mistress and his ex-wife with whom he's still involved.

Equal parts Antonio Gramsci and Monsieur Verdoux , Dillinger is Dead is cultural critique masquerading as a one-man show.

One of the great cultural archetypes is the obsessive painter. He strives to express something ineffable on canvas.

One of those infamous art house movies, La Grande Bouffe stirred controversy when it premiered at the Cannes Film Festival in 1973.

Ne touchez pas la hache Based on a short story by Balzac, a war hero falls for and is driven to distraction over a period of months by a woman who says no in the most promising tones.

Admirers of Michel Piccoli know better than to ignore any film, however slight, that is anchored and calmed by his presence.

Michel Piccoli and Emmanuelle Beart. La Belle Noiseuse / / / April 12, 2009 by Roger Ebert Frenhofer, the great artist, has painted nothing for ten years.

Dillinger is Dead Synopsis: Long unavailable, this exclusive engagement of Ferreri's masterpiece will be presented in a new 35mm print courtesy of Janus Films.

There are some sharp ideas tucked alongside the tedious high jinks and rank sexism of "Dillinger Is Dead." Directed by the Italian provocateur Marco Ferreri , this 1969 curio first popped up at the Museum of ...

Even the gas mask designed by Glauco , the central figure in Marco Ferreri's 1969 Dillinger Is Dead , offers little protection against the toxicity of materialism and bourgeois living that hangs thick in the ...

The last time I saw Michel Piccoli on stage, he was an energetic King Lear carving up his empire and coping pretty well in the storm.