kukkekekekekeke..lu memang bagus giler,padan muka dia.SIOLLL..silat pn ko nak ambik?ambikla
ko nk spender aku jugak ke?nah ambik la
ko nk ape lg?nak taik?ambikla
sume bnde ko nak..
claim la..
akur?
wakakakakakakaka
Comments (Page 2)
kukkekekekekeke..lu memang bagus giler,padan muka dia.SIOLLL.. |
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Joined: Mar 8, 2008 Comments: 5 qelate ISP: Kuantan, Malaysia |
bangsawan bugis dr melakalh yg mghidupkn kmbali seni silat ini d tnh melayu mnntang portugis,, Almarhum Daeng Kuning(pahlawan brdrh bugis)adlh moyang kpd Dato' Meor Abdul Rahman, Mahaguru Silat Seni Gayong d M'sia,, kau tau x?? |
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Testimoni forumer malaysia ^_^
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Joined: Mar 8, 2008 Comments: 5 qelate ISP: Kuantan, Malaysia |
sume korang nk,, tnh, ank, laki bini org,,batik n ntah ape lg,,
jgn2 kung fu pn korang nk claim :p |
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kalau mau yg cepat saji...sini ke KFC saja, disana bisa beli apa saja makanan siap saji, dijamin puas perut kenyang.
kalau mau budaya cepat saji, curi saja budaya indonesia, banyak macamnya lho..cuman kalau ketahuan jadi ginilah ditertawakan dunia. hasil forum jogya kemarin, pemuda2 malon menyatakan kapok, dan taubat tak claim dan curi lagi, awas lo kalau curi lagi ya. |
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Capek deh ...hehe |
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Silat,Batik,Wayang Kulit,Keris semua Malaysia punya. Pendatang INDON datang ke Tanah Melayu,untuk beli barang itu di Tanah Melayu dan tiru butannya,Tanah Melayu merupakan transit perdagagan antara China dan India.Jadi barangan seperti besi,kain sutera ,alat cetak batik semua berada di Tanah ,Melayu, kapal dagang China dan India tak ada masa nak lalu kat pulau Jawa.
Peace:) |
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Mimpi disiang bolong kah ??????? |
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Helooooooooo
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pencak silat tuh punya indonesia. yang tukang claim tuh siapa ya?? aku mau tanya sama semua forumer disini, apakah kalian punya kaca di rumah? apa reaksi kaca tersebut sewaktu kamu berkaca? tak bereaksi? pecah? |
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HAUAHAHHAHAHAHA.. jangan mimpi ya. yang kau sebutkan itu punya indonesia semua. jangan main klaim ya? jelas2 batik, pencak silat, wayang tuh punya indonesia.. BANGUN!!!!!!!!!! |
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yela ambikla sume.simpan elok2.letak dlm almari.jgn lupa kunci.jgn biar diorang sume lari.bagi mkn,mandi.akur? |
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PENTJAK - SILAT
The Indonesian Fighting Art by Howard Alexander Quintin Chambers Donn F. Draeger Published by KODANSHA INTERNATIONAL LTD., Tokyo, Japan & Palo Alto, Calif., U.S.A. Distributed in Continental Europe by Boxerbooks, Inc., &rich; in Canada by Fitzhenry €5' Whiteside Limited, Ontario; and in the Far East by Japan Publicafions Trading Co., P.O. Box 5030 Tobo International, Tokyo. Published ly Kodanshn International Ltd., 2- 12-21, Otowa, Bunkyo-ku, ToTokyo, Japan and Kodansha IntenzationallUSA, Ltd., 599 College Aumue, Palo Alto, Califonia 94306. Copyright in Japan 1970, by Kodanshn International Ltd. All rights reserued. Printed in Japan. Library of Congress Catalog Card No. 7%82659 First edition, 1970 Second printing, I972 |
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Preface
What we present in this hook is an introductory approach to the fascinating but relatively little-known combative art of Indonesia that is called "pentjak-silat." We shall outline briefly the background and essentials of the art and then the technical characteristics of some major pentjak-silat styles. In presenting a composite, overall picture of various tactics and training methods, we will illustrate the features that areintrinsic to the art, butweshall not attempt an exhaustive treatment of any one style. To the beginner, pentjak-silat may appear to be identical with-or at any rate highly similar to-what has come to be popularly known as "karate" (more correctly, karate-do or karate-jutsu). There are, however, many technical differences between the two arts, though both, it is true, feature the many ways a man may use his body to dodge or ward off' attacks as well as the many ways he may retaliate against an attack by striking or kicking his assailant. To the untrained eye, these will appear to be similar actions, and although they in fact are not, pentjak-silat remains ofspecial interest to karate enthusiasts. By studying the book carefully and then by practicing the |
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exercises, the reader will soon become aware ofsome of these
technical differences. Although this knowledge is in itself of value, the distinctions will constitute only separate, acquired skills unless they are integrated through a formal study of pentjak-silat. Further, when these techniques are added to a substantial basic knowledge of karate, they form a source for surprisingly new and useful abilities both in original combat situations and in sport. We began, necessarily, where all orthodox pentjak-silat training does-with empty-hand skills, and continued on to armed combat. In our study, we were faced with various difficulties. For one thing, the Indonesian climate can be a trying one; and for another, transportation in remote areas is uncertain. Sometimes, because of that fact, we were able to view much excellent technique only once, when we would have liked to study it far more thoroughly. Nonetheless, one of our major problems in compiling the book was that of selection. Although we investigated some sixty major pentjak- silat styles, space limitations have permitted us to deal explicitly with only about ten. We chose, naturally, those that seemed to us to be the most interesting and useful -and we hope that the reader will agree. All th'e technical data that follows, as well as the photographs |
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were obtained by the authors in Java, Madura,
Sumatra, and Bali, from native experts and exponents of the art, to all of whom we would like to express our grateful acknowledgement, as well as to the many government officials who assisted us: without the unlimited hospitality they extended to us, and without the generous use of their facilities, this book would not have been possible. Specifically, we would like to express our thanks to Mr. Dirtmoatdjo and the members of Perisai Diri, to George Pantouw, to Dr. Go Yauw Liem and family, to Colonel Sunarjo, Bambang Soedarjanto Jr., to Heiro T.H.S., to Mr. and Mrs. The, to Mr. Atma of Tjimande, to all officials and members of Mustika Kwitang and Tjingkrik, on Java; to Mr. Swetja I and the members of Perisai Diri, to Mr. Ida Bagus Oka Diwangkara and Mr. Alit and other officials of Bhakti I Negara, on Bali; to Hasan Hubudin of Pamur and his I group on Madura; to Mr. Amir Gunawan, Mr. Yusaf Munir, to Mr. Alikusuma, to Mr. Cheam Gek Chin, to Mr. Gan Ho Lay, to Mr. Munap Malin Mudo and the members of Patai, to Mr. Sjech Barinjin, Mr. Rasul Hamdi, Mr. Harum Said, Mr. Djarios, and Mr. Mendang of IPSI, and all the officers and members of Kumango, Baru, and Harimau organizations in Sumatra. 1 Djakarta September 1968 Howard Alexander Quintin Chambers Donn F. Draeger |
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Sekarang mana bukti ko bahwa Silat tu milik Malaysia...
Bicara Dengan Fakta Bukan Dengan Emosi Tanda Orang Cerdas Dan Berakal.... Kalau Masih Cakap Tanpa Fakta, Apa Bezanya Dengan Binatang??? |
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Joined: Feb 21, 2008 Comments: 644 |
ya udah.. ambil aja indon silat ke kuntau ke.. malas deh mau ribut.. klu lho mau ngambil bruce lee, jackie chan pun bisa aja.. terus dipatenkan.. nggak ada masa mau melayani claim loe lg dong..
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Joined: Feb 21, 2008 Comments: 644 |
kebanyakan forumer malaysia membenarkan indon mengklaim apa saja.. udah jgn buang masa kami dech..
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haah..klaim la..kami x kisah pn
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